History
The Bolsius House is an important example of 20th century Southwest design. The property is listed on the National Register of Historic Places and designated a City of Tucson Historic Property.
Mystery, deep and shadowy broods over the desert. By night stars keep an ever tender watch from their sentinel stations in the sky: and by day white clouds, the great birds [...] flit across the azure field.
— Caroline Mary Hughston - Old Fort Lowell
Authentic Desert Style
The glamorous Charles Bolsius House and property is imbued with a succession of historical narratives that delineate the transformation of the American Southwest, capturing the essence of Tucson's style. Near the confluence of the Rillito and Pantano Rivers it chronicles a rich history, beginning with the Hohokam, who inhabited the Tucson basin and established a village on the property during the Snaketown phase (A.D. 700-750), to the construction of the US Territorial Fort Lowell that was active from 1873 - 1891. After the fort abandonment by the military the area became a small farming village called El Fuerte and during the 1930s and 40s a locus of a southwestern artist colony founded by Bolsius and his brother Pete and sister-in-law Nan.
The Bolsius House serves as a tangible embodiment of the diverse cultures, styles, and communities that have called this place home. Today, it stands as an unparalleled opportunity to immerse oneself in the authentic essence of Tucson.
The mud adobe ruins which Dutch born artist Chalres Bolsius used as the base of this remarkable Territorial revival house was originally an 1870s storage building that was part of the Fort Lowell Quertamastrs Commissary and Storehouse complex. Bolsius arrived from the Netherlands to the American Southwest in the late 1920s, and lived in Albuquerque, Santa Fe, and the Sandia Mountains of New Mexico before moving to Tucson in the early 1930s.
The property that would become the Bolsius was first sold by the United States Land Office to French born Severin Rambaud in 1897. A year later it was sold to Missouri-born Robert Dysart Cole who established a farming operation. Cole invested in significant agricultural infrastructure including irrigation acequia which supported crops including 25,000 strawberry plants, 600 apple trees, chili, and cabbage. In October 1909, Cole sold the 90-acre ranch to H. Warren Shepard, a wealthy starch manufacturer from Merchantville, New Jersey, who paid $14,000. During this period, the adobe storehouse and commissary buildings were occupied by several Mexican families who called it comisario. Shepherd sold the farm in 1910, to Nellie and A. R. Swan, who, in turn, sold it to Frank St. John. In 1935, it was acquired by Mary and Ambus Barnet Earheart who owned the property for seven years.
Bolsius with Pete and Nan purchased the ruins of the Fort Lowell Post Traders Store and rebuilt it by hand into an icon of pueblo revival architecture called Las Saetas. The trio next purchased the adjacent Fort Lowell Quartermaster Commissary ruins on December 18, 1942 from Ambus Earheart and set to work completing a reconstruction and conversion into a collection of five apartments they called El Cuartel Viejo. In the 1940s, with his extraordinary wood carving skills and a romantic stylistic approach Bolsius began construction of his own home.
Despite his involvement in the vibrant artistic community of Santa Fe, Albuquerque and Tucson, Bolsius charted his own course in architectural design by utilizing adobe runs as the base for his projects. Bolsius's artistic residence is fusion of revival styles, the outside reflecting the territorial traditions of Arizona and the interior embracing the elements of the pueblo revival. Despite the visual contrast between the burnt adobe mortar washed southwestern territorial exterior and the pueblo revival interior, there is a harmonious spirit connecting them.
Tucson is situated in beautiful mesquite riverbed country, overlooked by the snowy Catalina range. The city was one big construction job; the people transient, wild, ambitious, busy, gay; washlines, trailers; bustling downtown streets with banners; altogether very Californian. Fort Lowell Road, out where Hingham lived, wound along lovely riverbed trees in the flat desert.
— Jack Kerouac - On The Road
Old Fort Lowell
In 1934, Nan, Pete, and the European-trained artist Charles Bolsius embarked on a transformative journey, acquiring and meticulously reconstructing the melting adobe ruins of the Fort Lowell Post Traders Store. This visionary trio converted the property into their residence and studio they called Las Saetas, sparking the inception of the Old Fort Lowell Artist Colony. Throughout the 1930s, 40s and 50s, this enclave burgeoned as other influential artists joined, creating a cultural haven.
Distinguished figures such as René and Germaine Cheruy, Win Ellis, modernist painters Jack Maul and Nik Krevitsky, sculptor and designer Giorgio Belloli, Charles Bode, architectural designer Veronica Hughart, anthropologists Edward H. Spicer and Rosamond Spicer, Black Mountain College photographer Hazel Larson Archer, and fiber artist Ruth Brown all lived in Old Fort Lowell and contributed to the vitality of this artistic community. Members of arts community, hosted salons and receptions in their homes, adding a layer of sophistication to the colony. The artist colony attracted writers and poets including beat generation author Alan Harrington and Jack Kerouac whose visit is documented in his iconic book On the Road.
An artist of European training, Bolsius seamlessly blended his skills to breathe new life into the historic mud adobe, fashioning it into the enchanting haven now known as Bolsius House. As a cornerstone of the Old Fort Lowell Artist Colony, Bolsius' residence and studio became a nucleus for creative minds during the 1940s and 40s.
In addition to shaping the Old Fort Lowell Artist Colony, Charles Bolsius left an indelible mark as an artist and architect, resonating deeply within the very essence of the Bolsius House. His legacy is a vibrant thread woven into the cultural fabric that defines the Bolsius House experience. Every nook and cranny of this residence reflects Bolsius' ingenuity, creating a timeless legacy that beckons art enthusiasts, history aficionados, and those in search of inspiration amid the embrace of Tucson's rich artistic heritage.
Charles married Leora “Lee” B. Coats and continued to use the property has his home and workshop and artist's studio completing many of his noted and famous paintings while living there. In 1979, the house was purchased by a Los Angeles and New York couple. In 1985, they added a west wing to the house that drew on the Bolsius design tenets. In 2023 the house underwent a major restoration led by Demion Clinco.